华东师范大学(哲学社会科学版) ›› 2019, Vol. 51 ›› Issue (2): 128-135.doi: 10.16382/j.cnki.1000-5579.2019.02.012

• 文化人类学研究 • 上一篇    下一篇

纽约东哈莱姆墙画与社区的自传体记忆——叙事认同与社会记忆的类型刍议

李明洁   

  1. 华东师范大学社会发展学院民俗学研究所 上海, 200241
  • 出版日期:2019-03-15 发布日期:2019-03-21
  • 作者简介:李明洁,华东师范大学社会发展学院民俗学研究所教授,博士生导师(上海,200241)。
  • 基金资助:
    本文系2017年度中央高校基本科研业务费项目"城市非遗保护的伦理记忆研究"(2017ECNU-KXK018)和华东师范大学中华优秀传统文化传承创新研究院项目"桃花坞年画的都市性与江南市镇文化的传承"(ECNU-CETC-201803)的阶段性成果。感谢匿名外审专家的中肯意见。

East Harlem Murals in New York City and Autobiographical Memory of Community: On the Categories of Narrative Identity and Social Memory

LI Ming-jie   

  • Online:2019-03-15 Published:2019-03-21

摘要: 美国纽约东哈莱姆墙画较为完整地反映了东哈莱姆街区的历史变迁和当地人社会记忆的形塑过程,是研究社会记忆与城市发展之间互动关系的重要例证。基于东哈莱姆区的田野调查发现,该社区墙画的叙事性,使其成为连接个体与社群的认知纽带,并促成了该社区"自传体记忆"型的社会记忆的形成,并为相关交往记忆遗产化为文化记忆铺平了道路。

关键词: 纽约东哈莱姆墙画, 叙事认同, 自传体记忆, 遗产化

Abstract: East Harlem Murals in New York City, USA reflect the historical changes of the East Harlem neighborhood and the shaping process of local community memory. In the study of historical metropolises, this is a rare illustration not only of the generation of collective memory, but also of the value of folk paintings as an urban cultural heritage. Based on a field investigation in East Harlem, NY., this paper finds that these murals have recorded the "memory of the community" of East Harlem and contributed the "narrative identity" of local people. The nature of this interaction makes the social memory of neighborhood to become a kind of autobiographic memory.

Key words: East Harlem Murals in New York City, narrative identity, autobiographic memory, becoming culture heritage