美籍意大利裔学者弗兰克·莫莱蒂（Franco Moretti）率先提出的"远程阅读"，是指借助"长时段"之内大量数据统计所显示的文学外部力量关系来阐发和说明文学之内部因素的发展演变及其主要原因。文章用这一概念来指称"后印刷品主导"时代的一种阅读方式。远程阅读时代之"数字人文"所展现的强大能量，势必对学术格局造成根本性的秩序重塑，学界理应对这一学术境况进行新的阅读伦理及其方法论层面的建构。文章以诗学为对象，借镜于保罗·利科、弗朗索瓦·朱利安等人的观点，尝试建构工作平台意义上的"精神性‘面对面’"，借此一方面克服框架式"诗学比较"所必然伴随的"非客观性"，另一方面也为未来诗学的生产和创造提供赖以孕育和滋养的空间。

Firstly put forward by Franco Moretti, an Italian American scholar, the concept of "distant reading" refers to interpreting and explaining the development and change of the internal factors of literature and the main reasons with the help of the external forces of literature revealed by a large number of data statistics in longue durée. In this paper, this concept is employed to refer to a reading way in the age of "post-print domination". In the age of distant reading, the powerful energy of "digital humanities" is bound to reshape the academic structure fundamentally. The academic community should construct a new reading ethics and methodology for this academic situation. Taking poetics as the object and drawing upon Paul Ricoeur, François Jullien and other thinkers, this paper attempts to construct "spiritual ‘face-to-face’" in the sense of working platform, so that we can overcome the inevitable "non-objectivity" accompanied by frame-style "poetic comparison" on the one hand, and provide space for the future creation of poetics on the other.