文化艺术研究

虚潜诗学:艺术语言发生新解

  • 刘阳
展开
刘阳,华东师范大学中文系教授(上海,200241)

录用日期: 2023-06-17

  网络出版日期: 2023-08-01

基金资助

国家社科基金一般项目“理论之后的写作机理与汉语因缘研究”(项目编号:19FZWB021)

Vacuous-Potential Poetics:A New Interpretation of the Occurrence of Artistic Language

  • Yang LIU
Expand

Accepted date: 2023-06-17

  Online published: 2023-08-01

摘要

艺术在符号区分中形成意义,这使尚无后续区分项的第一个符号的来历成为理论难题。对此的两种现有阐释,分别是无意识理论的“从有到有”和存在论的“从无到有”。前者有关艺术中第一个符号是“意识转化而来的无意识”的阐释,暗含理性的权力规训。后者设置了有无之间的界限,同样未能根除关联性立场及其总体性实质。虚潜论超越上述两种阐释而“从虚到有”,让主体在场内虚化自身,通过潜能运动中的差异因素揭示出存在于重复形态中的独异。这一过程将差异的幽灵包含在内,才以其事件性思维方式实现了客观性。艺术中看似独异的第一个符号因而是虚潜符号,它在潜重复的姿势中由实入虚,克服理性的权力规训与总体性惯习,提供了虚潜诗学的论证起点。

本文引用格式

刘阳 . 虚潜诗学:艺术语言发生新解[J]. 华东师范大学学报(哲学社会科学版), 2023 , 55(4) : 77 -85 . DOI: 10.16382/j.cnki.1000-5579.2023.04.007

Abstract

Art forms meaning in the distinction of symbols, which makes the origin of the first symbol which has no subsequent distinction become a theoretical problem. The two existing interpretations of this are “from being to being” of unconscious theory and “from no-being to being” of ontology. According to the former, the first symbol in art is “unconsciousness transformed from consciousness”, which implies rational power discipline. Due to the dichotomy of no-being and being, the latter also fails to eradicate the relevant position and its overall essence. The vacuous-potential theory transcends the above two interpretations and puts forward the idea of “from vacuity to being”, which allows the subject to make himself vacuous in the field, and reveals the singularity existing in the repetitive form through the differences in the potential movement. This process includes the specter of differences and realizes objectivity in its event-based way of thinking. The seemingly singular first symbol in art is therefore a vacuous-potential symbol, which changes from reality to vacuity in the posture of potential repetition, overcomes the rational power discipline and overall habit, and provides the starting point of vacuous-potential poetics.

文章导航

/