当代信仰民俗是民间神话与民间信仰相结合的产物。上海青浦区A村女三官神话向尧舜禹三官神话的转变，是地方话语对国家话语从博弈到协调的结果。传统女三官叙事是民众通过对于侠义精神的崇拜以达到自我保障的行为。从20世纪60年代到21世纪初，地方民众通过传播“附身神话”等行为，坚持其女三官传统。从2008年起，当地构建了具有帝王背景的与官方信仰相一致的神话，从而形成尧舜禹三官崇拜与女三官信仰并存的局面。借助三官庙的重建，结合非物质文化遗产的仪式展演，强化人们对尧舜禹三官的记忆。女三官神话与信仰的失落是一个值得注意的问题，应该通过重新讲述，让传统的地方文化回归人们的生活之中。

Contemporary faith custom is the product of the combination of folk myth and folk faith. The transformation from female three-god myth to Yao-Shun-Yu three-god myth in Village A in Shanghai shows that local discourse was against at the beginning but finally in compliance with national discourse. The traditional female three-god narrative shows people's admiration for chivalrousness in order to achieve self-protection. From 1960s to the early 21^st century, local people insisted the traditional female three-god myth by propagating "witchcraft stories". Since 2008, local people have started to accept myths in which the heroes have royal backgrounds corresponding to official faiths, so that the worship for three gods of Yao, Shun and Yu and the faith in three female gods have coexisted. The re-construction of the Three-god Temple, together with the ritual performance of intangible cultural heritage, has been utilized to strengthen people's memory of the three gods of Yao, Shun and Yu. However, the decline of the faith in the female three-god myth is worthy of attention. We should re-account the myth to help traditional local culture return to people's life. Therefore, the policy adjustment to folk myths and faith management should be the premise for the healthy development of folk culture.