苏轼诗歌，既是宋诗之典型，需以一种最大化的方式，来呈现宋诗的精彩；也需以一种最恰当的解释，来说明宋诗的典范。因而，唐宋诗比较的角度，无疑是一个最为适合表现苏诗之精义的解释框架。东坡其人其诗，完全可以成为唐宋比较的标本。文章以陈衍《宋诗精华录》所选东坡诗为典型，从雅兴高致的心灵境界、瘦硬通神的山水写意、世俗人生的静观细省、化解悲哀的慧命双修、理趣成为人生戏剧以及由虚入实的现实世界六个方面，作唐宋比较。既力探石遗的评赏与圈点的幽旨，亦融合学界与个人唐宋诗观，力图发展出一套系统深入的苏诗比较论述。

As a model in the Song Dynasty, SU Shi's poetry shall be appropriately interpreted to demonstrate the paradigm and excellent achievements of the poetry in the Song Dynasty. A way to present the essence of SU's poetry is to make a comparative study of poetry in the Tang and Song Dynasties. The personality and poetry of SU can definitively serve as a model. This paper makes such a study by examining SU's poems in CHEN Yan's Selected Poetry in the Song Dynasty from six aspects, that is, elevated mind, impressionistic paintings of mountains and water with firm strokes, deep insights into the worldly life, the cultivation of wisdom to relieve grief, theoretical taste dramatizing life and the real world transcending the void. This paper tries to develop a systematic and profound comparative study of SU's poetry by exploring CHEN Yan's comments and combining the views of the author and other scholars in the academic circle about poetry in the Tang and Song Dynasties.