布洛赫“希望美学”的内在结构由两个部分构成, 一是本能心理层面上的渴望, 二是乌托邦层面上的期望。从时间性的角度来说, 希望蕴涵着面向未来的敞开。布洛赫揭示本能层面上的未来维度, 是为了从人的本性方面挖掘出乌托邦的内在的、必然的趋向, 获得一个基本的出发点。乌托邦层面上的未来维度则包含着人的一切可能性。艺术是联结现时和未来的中介, 是期望的具体功能。期望的实行需要一种进取的乐观主义立场, 而在期望充实的中途, 注意力不断变更着前进的方向。

There are two aspects in the inner construction of Bloch's "hope aesthetics". One is a wish at the level of inner instinct, and the other an anticipation at the level of utopia. The hope, viewed from temporality, is a utopia that is open to the future. Futurity, on the level of inner instinct, is a basic starting point to discover the inherent and inevitable tendency of utopia from an angle of human nature. Art is a bridge between present and future, and a specific function of anticipation. The realization of anticipation needs an enterprising and optimistic position. In the process of its fullness, attention tends to constantly change its forging orientation.