Abstract:

By means of a central concept, "technologized visuality", in recent visual culture to read DING Ling's first work, Meng Ke, we may realize that DING Ling, as a female writer who had a special relation to filmdom in her early years, rat her consciously employed words to resolve, embrace and enhance those stimuli and shocks from pictures as soon as she embarked on literary creation, thus inciting unprecedented visual potentialities of modern Chinese literature in a certain orientation.

Key words: technologized visuality, visualizing, DING Ling