华东师范大学学报(哲学社会科学版) ›› 2001, Vol. 33 ›› Issue (5): 147-161.doi: 10.16382/j.cnki.1000-5579.2001.05.013

• 文学  语言 • 上一篇    

现代中国文艺美学建设的艰难和困惑

殷国明   

  • 收稿日期:2001-04-15 出版日期:2001-09-01 发布日期:2025-12-19

The DifBcult and Perplexed Reconstruction of Modern Chinese Aesthetics of Literature and Art

Guo-ming YIN   

  • Received:2001-04-15 Online:2001-09-01 Published:2025-12-19

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摘要：

中国现代新文学理念的形成无疑是同接受和吸收外国文学密切联系在一起的, 是中外文化相互交融的精神成果。新文学区别于旧文学的明显标志就在于, 它已经从一种封闭的状态中解脱出来, 具有一种开放的品格。但是, 正因为新文学刚刚从一种旧的状态中解脱出来, 就不可能完全摆脱过去的自我: 它有开放的一面, 背后还有封闭的一面; 有主动的一面, 也有被动的一面。诸种不十分和谐因素的相互溶合, 形成了中国现代新文学及其理论观念的独特内涵。而人们常常会因为对某一问题的敏感, 从而忽视另一方面的事实。本文就试图从历史、文化、理论发展和心理等各个不同角度探讨现代中国文艺美学建设的艰难与困惑。

关键词: 现代中国文艺美学, “主义”的困惑, “失语”的恐惧, “体系”的失重, 独创的贫困

Abstract:

In the process of construction of modern Chinese aesthetics of literature and art there are still some difficulties and perplexities in ideology and national cultural psychology. First, there is a "perplexity of - ism", which is mainly referred to the interference from authoritative speeches. Secondly, there is a "fear of aphasia", which is related to the obstruction of conventional speeches. Thirdly, there is a "possibility of weightlessness", which is connected with conflicts between different Chinese and Western theoretical systems and their influences. Finally, there is an "impoverishment of original creation", which is mainly referred to some cultural and mental causes for absence of the innovative spirit.

Key words: modern Chinese aesthetics of literature and art, ideology, cultural mentality, original creation