华东师范大学(哲学社会科学版) ›› 2017, Vol. 49 ›› Issue (3): 75-83.doi: 10.16382/j.cnki.1000-5579.2017.03.009

• 民俗文化研究 • 上一篇    下一篇

“桃源”景观:被想象和建构的空间

徐赣丽   

  1. 华东师范大学社会发展学院民俗学研究所, 上海 200241
  • 出版日期:2017-05-15 发布日期:2017-05-20
  • 作者简介:徐赣丽,华东师范大学社会发展学院民俗学研究所副教授,法学博士(上海,200241)。

The Landscape of “Taoyuan”: Imagined and Constructed Space

XU Gan-li   

  • Online:2017-05-15 Published:2017-05-20

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摘要： “桃源”是我国古代文人创造并产生深远影响的意象，“桃源”作为一种理想的生活世界，具有不绝的艺术魅力，历经千年岁月不断衍生新的内容。而在旅游兴盛的当代，作为负载着丰富深厚的传统文化意蕴的经典意象，“桃源”成为了一块旅游黄金品牌。通过对桃源景观的研究，解读其内涵与象征意义，可以分析当代中国桃源景观塑造的类型，并揭示桃源景观兴盛背后的社会原因。

关键词: 桃源, 香格里拉, 景观意象, 景观符号, 空间建构

Abstract: Taoyuan (Land of Peach Blossoms) is an image with profound influence created by intellectuals in ancient China. As an ideal land for living, "taoyuan" is of artistic charm with continuous new connotations for a thousand years. In an era with prosperous tourism, "taoyuan", as a classical image carrying abundant traditional cultural implications, has become a gold brand. This paper examines the landscapes of "taoyuan", its connotations and symbolic meanings, the types of Chinese fairyland landscapes and the social causes behind the prosperity of taoyuan landscapes.

Key words: taoyuan, Shangri-La, landscape image, landscape symbol, spatial construction