华东师范大学学报(哲学社会科学版) ›› 2002, Vol. 34 ›› Issue (3): 55-61, 126.doi: 10.16382/j.cnki.1000-5579.2002.03.009

• 文学  语言 • 上一篇    下一篇

中国文学女性形象中的洛神原型及其现代重述

李小玲   

  • 收稿日期:2002-01-10 出版日期:2002-05-01 发布日期:2025-12-18

The Original Lushen Shape in Female Images of Chinese Literature

Xiao-ling LI   

  • Received:2002-01-10 Online:2002-05-01 Published:2025-12-18

摘要:

洛神原型是情与欲的象征。这一原型主要源于原始宗教意识、女性生殖崇拜及阴阳哲学观。男女两性作家在回溯这一原型时, 呈现出性别上的差异。男性文本消解了洛神型女性在情感上的主体性和独立性; 女性文本则充分肯定洛神型女性原始生命力的冲动, 还原女性之本能。

关键词: 神话原型, 女性主义, 洛神原型

Abstract:

Lushen (a goddess in Chinese myth) was a symbol of feeling and desire. Her shape originated in the primitive religious sense, female phallicism, and philosophical conception of yin and yang. When tracing back to this original shape, male and female writers tend to show their sexual differences respectively. When male writers describe her, they clear up female subjectivity and independent character in emotion. Female writers think highly of the impulse of female primitive vitality and return female instincts to their original shapes.

Key words: mythological original shape, original Lushen shape, feminism