华东师范大学学报(哲学社会科学版) ›› 2005, Vol. 37 ›› Issue (5): 36-43, 122.

• 20世纪中国文学研究 • 上一篇    下一篇

视觉“互文”、身体想象和凝视的政治——丁玲的《梦珂》与后五四的都市图景

罗岗   

  • 收稿日期:2005-06-30 出版日期:2005-09-01 发布日期:2005-05-25
  • 作者简介:罗岗(1967-)，男，广东龙川人，华东师范大学中国现代思想文化研究所研究员，中文系副教授

A Study on DING Ling's Meng Ke in the Perspective of Technologized Visuality

Gang LUO   

  • Received:2005-06-30 Online:2005-09-01 Published:2005-05-25

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摘要：

借助当代视觉文化的一个核心概念“技术化观视”, 来重读丁玲的处女作《梦珂》, 可以看到: 丁玲作为一个早年和电影业有着特殊关系的女作家, 一转入文学创作领域, 就相当自觉地运用文字化解、容纳和提升来自图像领域的刺激和震惊, 从而在某个特定的方面激发出中国现代文学前所未有的视觉潜能。

关键词: 技术化观视, 视觉互文, 性别观看, 身体凝视

Abstract:

By means of a central concept, "technologized visuality", in recent visual culture to read DING Ling's first work, Meng Ke, we may realize that DING Ling, as a female writer who had a special relation to filmdom in her early years, rat her consciously employed words to resolve, embrace and enhance those stimuli and shocks from pictures as soon as she embarked on literary creation, thus inciting unprecedented visual potentialities of modern Chinese literature in a certain orientation.

Key words: technologized visuality, visualizing, DING Ling

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