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Content of 民俗学研究 in our journal

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    Economic Folklore: To Explore the Trace of Identity Economy
    TIAN Zhao-yuan
    Journal of East China Normal University (Philosoph    2014, 46 (2): 88-96.  
    Abstract736)   HTML7)    PDF (553KB)(1811)      
    Folklore economy is very prosperous in today’s China, but economic folklore hasn’t been started until the late 20th century and has merely focuses on the arrangement of general resources of folklore economy. Economic folklore and folklore economy, as the basic object of economic folklore, are two important categories, between which there are both distinctions and connections. A large-scale investigation of Chinese folklore economy resources is required in order to build a database for the development of such resources. Political and institutional culture has a crucial impact on folklore consumption custom. Folklore economy is very significant to cultural continuity and identity. Consumption custom constitutes one of the core driving forces for economy. Folklore ecology is comprehensively related to the development of economy. As an enormous knowledge system, economic folklore requires a systemic construction. As for the productive protection of intangible heritage, which is a cultural focus in recent years, we should go beyond the simple perspective of production and solve the survival predicament of traditional intangible heritage by constructing culture identity so as to effectively promote the benign development of intangible heritage.
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    The “Unusual” Cuisine and Escape Culture in China’s Southern Minorities
    WU Xu
    Journal of East China Normal University (Philosoph    2014, 46 (2): 97-102.  
    Abstract796)   HTML6)    PDF (625KB)(1634)      
    With the development of agri-tourism in China’s southern minority villages, some unique local diet customs (the so-called “unusual” cuisine such as wild, raw and stinky food) become a heated topic in media and among common people. The unusual cuisine, widely recorded and commented by Chinese scholars in history, has been taken as the label of minorities’ alienness and primitiveness. From the perspective of escape culture, this paper argues that such cuisine had important cultural functions in helping minority peoples escape from the state control. The “savage” food reduced the importance of staple food (i.e., rice), avoided the accumulation of surplus food and served as markers of boundaries between minorities and plain states.
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    The Myth of “a Stone Buddha Floating on the Sea” and Shanghai Regional Image Construction
    BI Xu-ling
    Journal of East China Normal University (Philosoph    2014, 46 (2): 103-109.  
    Abstract737)   HTML6)    PDF (642KB)(1348)      
    As a famous myth in Chinese history of Buddhism, “a stone Buddha floating on the sea” happened in Shanghai in the Six Dynasties. It is said that a stone Buddha floated to Hudu seaside, and it was finally placed in Suzhou Tongxuan Temple. This myth was advocated by Emperor Jianwen of Liang in an article. The Tang Court sent officials to visit the Buddha and then duplicated it in Chang’an City. The myth was also painted in Dunhuang Grottoes and spread oversea. The myth, which originally happened in Hudu, became national. Since the Song Dynasty, Shanghai region has started to compete for the resources of the myth. Clouds Chorography (Yunjian Zhi) applies it to construct the early history of Jing’an Temple, and develops new plots, including a story that the stone Buddha was placed first in Hudu Chongxuan Temple (Jing’an Temple) in Shanghai. Records of Temples (Siji) in the Southern Song Dynasty, Collected Poems of the Eight Scenery Spots at Jing'an Temple (Jing’an Bayong Ji) in the Yuan Dynasty and other chorographic writings construct the sacred history of Shanghai regional society. Shanghai gradually controlled the discourse power of the myth. Jing’ an, originally a name of a temple, became a name of a central area in Shanghai. “Hudu”, the birthplace of the myth, became the landmark of Shanghai and even its new name. The evolution of the myth reflects that mythical resources have unique value in the construction of local society, and it also shows that Shanghai local society sticks to the mythical resource.
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    Towards Landscape Narrative: Modern Evolution of the Form and Function of Legends: A Case Study on Fahai Cave and Leifeng Tower
    YU Hong-yan
    Journal of East China Normal University (Philosoph    2014, 46 (2): 110-117.  
    Abstract725)   HTML130)    PDF (689KB)(2766)      
    Landscape narrative is a narrative system comprised of many elements such as images, sculptures, billboards and tour guide manuals with legendary characters and plots as the premise and landscape buildings as the core. When the function of traditional oral narrative in modern society becomes weaker and weaker, landscapes undertake more and more narrative functions of narrating legends and inheriting legend values. This is a remarkable feature of modern folklore. The personage “Fahai” in the legend of the “White Snake” has been gradually transformed into the visual landscape “Fahai Cave”. The positive image of Fahai has been reconstructed, playing an active role in constructing regional politics and culture. The reconstructed Leifeng Tower extends the legend to real life surrounding the landscape by narrating systematically the legendary plots closely related to Leifeng Tower. This is a typical case that the legendary landscape surpasses the linguistic form. Today, folk legends are rather presented by landscapes than spread orally. In this way, the regional image is improved and local tourism is developed. Legends have become important resources of the cultural industry and regional politics. Behind this evolution, economic factors overwhelm moral factors and regional demands replace value demands.
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    Journal of East China Normal University (Philosoph    2009, 41 (1): 65-73.  
    Abstract1901)   HTML8)         
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