华东师范大学(哲学社会科学版) ›› 2013, Vol. 45 ›› Issue (3): 97-109.

• 历史研究 • 上一篇    下一篇

从隐、桓年间史实看《左传》的叙事结构及其“意蕴” 
——《左传》历史美学解读之一

路新生   

  1. 华东师范大学历史系，上海，200241
  • 出版日期:2013-05-15 发布日期:2013-05-24
  • 通讯作者: 路新生
  • 作者简介:路新生
  • 基金资助:

    本文为2012年度上海市教育委员会创新项目“历史美学的理论与实践”阶段性成果(项目编号：12ZS039)。

On the Narrative Structure of Zuo Zhuan and Its “Implication” Based on the Historical Facts during the Reigns of Duke Yin and Duke Huang: An Interpretation of Zuo Zhuan from the Perspective of Historical Aesthetics (Part Ⅰ)

LU Xin-sheng   

  • Online:2013-05-15 Published:2013-05-24
  • Contact: LU Xin-sheng
  • About author:LU Xin-sheng

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摘要： 《左传》不仅是“经”，且是经中唯一一部名副其实的“史”。作为中国历史学的不祧之祖，《左传》中饱涵的“历史美学”意谓不仅对中国历史学的后世发展产生了深远影响，厘析而探求之，对于克服当今历史学“见物不见人”的痼疾亦不失为良方药剂。

关键词: 《左传》, 历史美学

Abstract: Zuo Zhuan (Zuo’s Commentary on Spring and Autumn) is not only a “classic” but also the only book of “history” in the “thirteen classics”. As the origin and source of Chinese historical writing, Zuo Zhuan implies “historical aesthetics”, which not only has had a profound influence on the development of Chinese historical writing, but also will help us overcome the absence of human beings in the shadow of things in current historical study.

Key words: Zuo Zhuan (Zuo&rsquo, s Commentary on Spring and Autumn), historical aesthetics