华东师范大学学报(哲学社会科学版) ›› 2000, Vol. 32 ›› Issue (6): 10-17.doi: 10.16382/j.cnki.1000-5579.2000.06.002

• 文学 语言 •    

宫体界说辨——兼论宫体诗的类型

归青   

  • 收稿日期:1999-09-20 出版日期:2000-11-01 发布日期:2025-12-18

Defining the Poetic Style of Gong Ti

Qing GUI   

  • Received:1999-09-20 Online:2000-11-01 Published:2025-12-18

摘要:

作为一个历史概念, 宫体诗活跃于梁代以迄初唐。这一时段诗坛上引人注目的现象是艳诗的剧增, 而其他题材的诗都非此时所特有, 因此艳诗被视为宫体诗的本质特征。但宫体诗又不同于一般的艳诗, 它是具有新变体特征的艳诗。因此, 宫体诗的界说就应是: 流行于梁代后期(即萧纲入主东宫后)以讫初唐, 以萧纲为代表, 以轻艳为特征的新变体艳诗。以此为尺度, 可把南朝以讫初唐的文人艳诗区分为三种类型: 1、以描写为主的, 这是典型的宫体诗; 2、以抒情为主的, 也属于宫体诗, 只是在典型的程度上不及前者; 3、文人拟民歌的艳诗, 这类诗不能划入宫体诗, 但因其与宫体诗发展有关, 可称为“准宫体诗”。

关键词: 宫体, 界说, 类型

Abstract:

As a historical concept, the poetry styled Gong Ti was active during the period from the Liang Dynasty to the early Tang. During that period a very attractive phenomenon was the intense increase of amorous poems. The amorous poetry should be regarded as an essential featrue of the Gong Ti poetry. However, the Gong Ti poetry was not the same as the amorous poetry in general since it was indeed a fresh type of the amorous poetry. Accordingly, its definition might be as follows: the Gong Ti poetry was a new type of the amorous poetry that was active from the late Liang Dynasty (when Xiao Gang became a crowned prince and representative figure of that kind of poets) to the early Tang Dynasty. In this way there were three types of amorous poetry: 1) the orthodox Gong Ti poetry which was characterized by depiction, 2) lyric poetry, and 3) the quasi-Gong Ti poetry (folk love poetry).

Key words: the poetry styled Gong Ti, definition, type