华东师范大学学报(哲学社会科学版) ›› 2005, Vol. 37 ›› Issue (2): 15-21.doi: 10.16382/j.cnki.1000-5579.2005.02.004

• 冯契哲学思想研究 • 上一篇    下一篇

金刚何为怒目?——冯契美学思想初论

蔡志栋   

  • 收稿日期:2004-06-16 出版日期:2005-02-25 发布日期:2005-02-25
  • 作者简介:蔡志栋(1978-), 男, 上海南汇人, 华东师范大学哲学系硕士研究生

Why Buddha's Warrior Attendant Has a Glaring Look? --A Tentative Study of Feng Qi's Aesthetic Thoughts

Zhi dong CAI   

  • Received:2004-06-16 Online:2005-02-25 Published:2005-02-25

RichHTML

2

被引次数

6

摘要：

著名哲学家冯契关注着美。冯契倾心于金刚怒目, 它近乎崇高; 它是为人生而艺术, 是真善美的统一, 在风格上表现为热烈。冯契以为, 由于有了形象思维的辩证法, 审美的自由是可能的; 由于有了人道原则, 作为特殊审美形态的金刚怒目也是可能的。在冯契的思想中, 美和善(自由人格)互为前提。形象思维的辩证法既产生了审美的自由, 又以个性化的感性形象为手段, 培养了自由个性; 进一步, 作为特殊审美形态的金刚怒目则能够唤醒人的生命力感。

关键词: 冯契, 金刚怒目, 形象思维, 辩证法, 人道原则, 自由个性

Abstract:

Feng Qi, famous philosopher, pays much attention to the beauty. He is enamored of the traditional image of Jinang nu mu (literall, vajra-bodhisattva, Buddha's warrior attendant, holding a vajra in his hand, glares like a temple door-god), which is close to the sublime. It implies "art for life's sake" and a unity of truth, goodness and beauty. Its style is burning. According to Feng Qi, aesthetic freedom is possible becaruse there is dialectic of thinking in images, and the Jingang nu mu, as a special aesthetic form, is possible too becaruse there is the principle of humanity. For him, beauty and goodness (free personality) are prerequisite to each other. The dialectic of thinking in images re-sults in aesthetic freedom on the one hand and free personality cultivated by means of individualized per-ceptual images on the other hand. Moreover, the Jingang nu mu as a special aesthetic image awakens people's sense of vitality.

Key words: Feng Qi, Jingang nu mu, thinking in images, dialectic, principle of humanity, free personality

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