华东师范大学学报(哲学社会科学版) ›› 2006, Vol. 38 ›› Issue (6): 95-98.doi: 10.16382/j.cnki.1000-5579.2006.06.016

• 文学研究 • 上一篇    下一篇

独特的生命图像象征艺术——中国传统吉祥图像的美学解析

尹笑非, 陈勤建   

  1. 华东师范大学 对外汉语学院，上海 200062
  • 收稿日期:2006-06-25 出版日期:2006-11-15 发布日期:2006-11-30
  • 作者简介:尹笑非(1978-), 女, 辽宁沈阳市人, 华东师范大学对外汉语学院博士生|陈勤建(1948-), 男, 上海市人, 华东师范大学对外汉语学院教授, 博士生导师

A Unique Symbolic Art of Life Image——An Aesthetic Analysis of Traditional Chinese Auspicious Images

Xiao-fei YIN, Qin-jian CHEN   

  1. School of Teaching Chinese as a Foreign Language, East China Normnal University, Shanghai 200062, China
  • Received:2006-06-25 Online:2006-11-15 Published:2006-11-30

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被引次数

19

摘要：

中国传统吉祥图像是在继承神话思维生命一体化认知的基点上, 经过自觉的图像思维的交织, 将物化情感寄托于图像之上并定势化、模式化发展的结果。它是一种独具东方神韵的真正的象征型艺术, 其象征意象的审美判断、审美价值构成了它特有的审美惯例、审美尺度。这种古老的民族传统艺术在与现代融合重组的过程中散发着独特的个性, 焕发出新的生命。

关键词: 吉祥图像, 生命一体化, 生态环境, 审美尺度

Abstract:

Based on an inheritance of the recognition of life integration in mythological thinking, the traditional Chinese auspicious image was produced through conscious interweaving of image thinking, putting materialized emotions into the image, and then making it stereotyped as a model.It is truly a kind of unique Oriental symbolic art, and its symbolic image's aesthetic judgments and values eonsist of its special aesthetic praetiees and standards.Such an old traditional national art is sending out its distinctive individuality and taking on anew life in its course of mingling with modem elements.

Key words: auspicious image, life integration, ecological environment, aesthetic standard

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