关键词: 雷蒙·鲁塞尔, 德勒兹, 福柯, 欲望机器, 迷宫诗学

Abstract:

In the 1960s, Foucault had a great interest in literature, especially in Russell. He believed that Russell unfolded the plot by making sentences with similar pronunciations but different meanings. Russell broke the correspondence between words and objects, making the words lose the function of expressing meanings and become a free game. In this way, language is no longer a tool to represent the world, but becomes itself. Then literature will not any more narrate stories or represent things, but become a maze of increasing words. Deleuze followed Foucault’s path, continued to rewrite and formed new metaphors, the “death of the writer” becoming a “desire machine”, words turning devoid as the “repetition of differences”, the idea of “labyrinth” leading to “fold” poetry, and the “outside” space changing into curvy “escape”. Influenced by Foucault, Deleuze believed that Russell was a great replicator, and he included differences to the greatest extent. Deleuze extended his idea of differences and constructed a new labyrinth poetics. Hence, literature develops from the crack of discourses in the way of deviating from itself, bears the mission of resisting the subject and deconstructing reason, and demonstrates its endless revolutionary and pioneering spirit.

Key words: Raymond Russell, Deleuze, Foucault, desire machine, labyrinth poetics