华东师范大学学报(哲学社会科学版) ›› 2023, Vol. 55 ›› Issue (6): 26-35.doi: 10.16382/j.cnki.1000-5579.2023.06.003

• 国家话语生态研究 • 上一篇    下一篇

具身消费与情感交互：声音景观视域下的中国广播剧

韩晓晔   

  • 出版日期:2023-11-15 发布日期:2023-11-22
  • 作者简介:韩晓晔，上海师范大学影视传媒学院副教授（上海，200233）
  • 基金资助:
    教育部哲学社会科学研究重大课题攻关项目“语言与国家认同关系研究”（项目编号：19JZD028）

Embodied Consumption and Emotional Interaction：Chinese Radio Drama from the Perspective of Soundscape

Xiao-ye HAN   

  • Online:2023-11-15 Published:2023-11-22

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摘要：

广播剧又称为“用耳朵听的戏”，在媒体的变迁中，经历了由兴至衰的演变，但在移动互联网时代，却借媒体融合之势实现了新的发展。当下网络广播剧的兴起，提高了受众听觉体验的交互性和沉浸性，作为一种“伴随性音频”“具身性消费”和“情感性交互”的声音艺术，构造了一种独特的“声音景观”。受众在“听觉转向”过程中获得情感的认同，并在虚拟空间得以延伸，以“具身”代替“身体”，在这一过程中，广播剧不但需要关注“什么声音”，更要关注“如何听”，关注不同人群的“声音需求”；不但需要关注声音景观的建设，更要关注声音景观对于形塑生命、形塑生命共同体的意义。

关键词: 广播剧, 伴随性音频, 具身性消费, 情感性交互, 声音景观

Abstract:

Radio drama, also known as “drama to be enjoyed with ears”, has gone through an evolution from boom to bust in the changes of media. However, in the era of mobile Internet, it has realized a new development through the momentum of media integration. Nowadays, the rise of Internet radio drama has improved the interactivity and immersion of the audience’s listening experience. As a sound art of “accompanying audio”, “embodied consumption” and “emotional interaction”, it constructs a unique “soundscape”. In the process of “auditory turn”, the audience obtains emotional recognition and extends it in the virtual space, replacing “body” with “embodiment”. In this context, radio drama not only needs to pay attention to “what sound”, but also to “how to listen”, and then to the “sound needs” of different groups of people. Moreover, we need to pay attention not only to the construction of soundscape, but also to the significance of soundscape to the shaping of life and life community.

Key words: radio drama, accompanying audio, embodied consumption, emotional interaction, soundscape