华东师范大学(哲学社会科学版) ›› 2014, Vol. 46 ›› Issue (2): 16-23.

• 文学与现代性 • 上一篇    下一篇

“都市叙事群”与“非西方的现代性”
——兼论李欧梵《上海摩登》的颓废观与现代文学学科的关系

夏伟   

  1. 上海交通大学 人文学院 200240
  • 出版日期:2014-03-15 发布日期:2014-04-01
  • 通讯作者: 夏伟:华东师范大学文艺学博士,现于上海交大人文学院就读博士后,以学科史为主要研究方向。
  • 作者简介:夏伟:华东师范大学文艺学博士,现于上海交大人文学院就读博士后,以学科史为主要研究方向。

The “Urban Narrative Group” and “Non-Western Modernity”: On the Relation between the Concept of Decadence in Leo Ou-fan Lee’s Shanghai Modern and Modern Literature as a Discipline as well

XIA Wei   

  • Online:2014-03-15 Published:2014-04-01
  • Contact: XIA Wei
  • About author:XIA Wei

摘要: 《上海摩登》曾被误解为“官方主流意识形态的‘代言者’”,其实却是严肃的学术著作,其贡献在于:打捞起了因“颓废”问题而被“80前”中国现代文学学科长期忽视的,以施蛰存与穆时英为代表的“都市叙事群”;并通过对“都市叙事群”的研究发现了“身份—性压抑”与“批判性缺失”两种“摩登上海”独具的“非西方的现代性”,从而证实了通过现代文学来研究现代性问题的可行性。

关键词: 李欧梵, 施蛰存, 穆时英, &ldquo, 80前&rdquo, 现代文学学科, 现代性, 颓废

Abstract: Shanghai Modern was once misunderstood as a “spokesperson” of the official mainstream ideology, but it is in fact a serious academic work. Its contributions can be described in such a way: it uncovers the “urban narrative group” represented by Shi Zhecun and Mu Shiying, which has been ignored in modern Chinese literature as a discipline before 1980s due to the “decadence”; it discovers two typical “non-Western” modernity in modern Shanghai, that is, “identity depression” and “criticism deficiency”, so that it illustrates a feasibility of examining modernity through modern literature.