华东师范大学学报(哲学社会科学版) ›› 2005, Vol. 37 ›› Issue (4): 8-15, 120.

• 中国哲学与文化 • 上一篇    下一篇

论仪式学视角下儒家礼乐思想的解读

吴晓群1, 郭晓东2   

  1. 1 华东师范大学 历史系, 上海 200062
    2 复旦大学 哲学系, 上海200433
  • 出版日期:2005-07-01 发布日期:2005-04-25
  • 作者简介:吴晓群(1966-),女,贵州贵阳人,华东师范大学历史系副教授,历史学博士|郭晓东(1970-)男,福建霞浦人,复旦大学哲学系讲师,哲学博士

A Study on Confucian Thoughts of Propriety and Music in the Perspective of Ritual

Xiao-qun WU1, Xiao-dong GUO2   

  • Online:2005-07-01 Published:2005-04-25

摘要:

仪式作为社会生活中一种最直接、最可观察到又最具生动性的行为, 同时也是诸多文化观念的象征承载体, 揭示仪式中所蕴含的种种观念, 便是揭示某一时代的某种文化、某个社会的价值体系。从某种程度上说, 儒家的礼乐思想有类于现代仪式学的理路, 而儒家的“礼”也发挥着一般仪式意义上的功效。自先秦以来, 儒家学者在讨论“礼”时, 就相当强调通过对其中仪式化行为的解读来阐发其内在的意义, 而儒家礼乐文化亦相应地表现为以具有一套象征意义的仪式化行为及程序结构来表达一种共同的理想与价值, 来规范调整人与人及个人与社会的关系, 从而保证社会的秩序与团结。

关键词: 儒家, 礼乐, 仪式

Abstract:

As a kind of the most direct, observable and vivid action in social life, the ritual is a symbolic carrier of cultural concepts.We can reveal a certain kind of culture in a given time and a value system of certain society when we throw light on those concepts contained in rituals.In a certain extent, the Confucian thought of propriety and music is similar to the thinking of modern study of rituals.And the Confucian"propriety"has a ritual function and effect in general.Since the pre-Qin period onward, Confucian scholars have quite emphasized its inner significance through their interpretations of its ritual action.Correspondingly, Confucian propriety-music culture, means of ritual action and procedural structure, also expresses a kind of common ideal and value, so as to normalize and regulate relations between men and those between individual and society, thus guaranteeing social order and unity.

Key words: Confucianism, propriety and music, ritual

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