华东师范大学学报(哲学社会科学版) ›› 2000, Vol. 32 ›› Issue (3): 9-13.doi: 10.16382/j.cnki.1000-5579.2000.03.002

• 文学 语言 • 上一篇    下一篇

试论鼎三足的喻象意义

杜勤   

  • 收稿日期:2000-01-10 出版日期:2000-05-01 发布日期:2025-12-19

On the Symbolic Meanings of the Three Legs of the Tripods

Qin DU   

  • Received:2000-01-10 Online:2000-05-01 Published:2025-12-19

摘要:

殷代开始鼎以铜制取代陶制, 由日常炊具变为礼器。从此, 鼎之为器, 含物象之法, 其用途较之与新石器时代发明的当初发生了质的变化。与铸于鼎面的动物图案的神秘巫术意义同样, 鼎三足也被赋予了重要的喻象意义。进入西周后神运万物的原始宗教趋于理性化、世俗化, 阴阳学说从自然的客观变化中考察天地万物之运行规律, 形成了人参与天地, 建立起一套类通天地的人间秩序, 滋生出天地人三位一体的宇宙思想, 从而为鼎三足为“三公”的喻象意义提供了重要的基础。

关键词: 鼎三足, 铸鼎象物, 原始宗教, 三才说, 三公

Abstract:

Starting from the Yin Dynasty, tripods were made of bronze instead of porcelain and became tools for ceremonies rather than for daily cooking. Hence there came a fundamental change in the purpose of the tripods as compared to the one when they were first invented. Similar to the meanings of animal patterns carved on the facets of the tripods by mysterious sorcery, the three legs of the tripod were given important symbolic meanings. Since the Western Zhou Dynasty, the primitive religion of gods' rule over the universe became more rationalized. The yin-yang theory tried to find rules of the operation of things in the universe from the objective natural changes and established the cosrnological conception of the trinity of the heaven, the earth and human beings. This provided a very important base for the symbolic meanings of the three legs of the tripod as "three masters."

Key words: the three legs of the tripod, symbolic implications of the tripod designing, primitive religion, the theory of the "three talents", "three masters"