华东师范大学学报(哲学社会科学版) ›› 2003, Vol. 35 ›› Issue (2): 75-78, 88.doi: 10.16382/j.cnki.1000-5579.2003.02.011

• 文学 语言 • 上一篇    下一篇

“陶冶性情, 别有风旨”——王夫之诗歌美感作用论简析

王思焜   

  • 收稿日期:2001-10-15 出版日期:2003-03-01 发布日期:2025-12-19
  • 作者简介:王思焜(1944-), 江苏昆山人, 江苏教育学院中文系教授

An Analysis of Wang Fuzhi's Theory of Poetic Aesthetic Role

Si-kun WANG   

  • Received:2001-10-15 Online:2003-03-01 Published:2025-12-19

摘要:

王夫之对孔子“兴观群怨”说作出了富于新意的阐发, 认为“兴”乃“兴观群怨”之重心所在, 并由“兴”对情感精神的激发、对心灵品格的提升, 提出“陶冶性情, 别有风旨”的观点。考释“风旨”, 其真义在诗以丰富深厚的情感内容、温柔婉曲的艺术表达, 动人情性、陶冶心灵, 教育人, 感化人。由“风旨”出发, 王夫之特别推重“柔”的艺术精神。

关键词: 兴, 风旨, 陶冶性情,

Abstract:

According to Confucius, the odes can stimulate one's emotions, broaden one's observation, enlarge one's fellowship, and express one's grievances. Wang Fuzhi expounded this idea with some fresh arguments, claiming that the "emotion" was essential, and that poetry could mold a person's temperament and soul, educate a person, and help a person to change, by means of abundant poetic emotions and tender artistic expressions.

Key words: emotion, mold a person's, temperament, tender

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