华东师范大学(哲学社会科学版) ›› 2011, Vol. 43 ›› Issue (3): 55-60.

• 戏剧研究 • 上一篇    下一篇

城市之声：戏院与都市生活的变迁

林存秀   

  1. 华东师范大学历史系，上海200241
  • 收稿日期:1900-01-01 修回日期:1900-01-01 出版日期:2011-05-15 发布日期:2011-07-29
  • 通讯作者: 林存秀

The Voice of the City: Theater and Everyday Life in Metropolis

LIU Cun-xiu   

  • Received:1900-01-01 Revised:1900-01-01 Online:2011-05-15 Published:2011-07-29
  • Contact: LIU Cun-xiu

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摘要： 剧场作为一个公共空间，既能呈现社会文化，又有塑造社会文化的功能。从旧式茶园向新式舞台的转变，显示了清末在阶层和性别关系等方面的社会变迁。新舞台在表演上对感官文化的侧重，则反映了进入现代之后，都市人在精神生活上的相应转变。对生动形象的着迷、对传奇的热衷，正是大众时代的文化症候。

关键词: 剧场, 都市, 感官文化, 现代

Abstract: As a public space, on one hand, theater can represent social culture; on the other hand, theater has the function of reconstructing the social culture. The transformation from traditional tea house to modern play house reveals various changes in many aspects of social strata including gender relationships. The performance of New Stage was also altering. It emphasized sensationalism, which reflected the corresponding shift of the citizens’ mental life with the process of urbanization. Being fascinated by the vivid image is a cultural symptom of the mass epoch.

Key words: Theater, urban, sensationalism, modernization