华东师范大学(哲学社会科学版) ›› 2013, Vol. 45 ›› Issue (1): 147-150.

• 艺术研究 • 上一篇    

阴性的声音与力量
——试析中西文化语境中“社会性别”的音乐学表述

钟芳   

  1. 华东师范大学艺术学院音乐系，上海，２００２４１
  • 出版日期:2013-01-15 发布日期:2013-03-27
  • 通讯作者: 钟芳
  • 作者简介:钟芳

Feminine Voice and Its Power: On Musicological Expression of “Social Gender” in Chinese and Western Cultural Contexts

ZHONG Fang   

  • Online:2013-01-15 Published:2013-03-27
  • Contact: ZHONG Fang
  • About author:ZHONG Fang

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摘要： 从音乐学的视角，对中西文化语境中有关社会性别的表述做一全景观照，并对二者之间的关系与异同作以分析，也许可以通过在对西方理论的深度阐释与对中国式学术思维、中国式研究对象的深入理解的基础上，探讨社会性别理论之于我国音乐文化研究的意义与目的。

关键词: font-size: 9pt, mso-fareast-theme-font: major-fareast, mso-ansi-language: EN-US, mso-fareast-language: ZH-CN, mso-bidi-language: AR-SA, mso-ascii-theme-font: major-fareast, mso-hansi-theme-font: major-fareast, mso-bidi-font-family: FSJ-PK7482000001a-Identity-H, mso-font-kerning: 0pt">社会性别, 差异, 西方建构, 中国语境, 音乐学表述

Abstract: From the perspective of musicology, this thesis takes an overall examination of expressions related to social gender in Chinese and Western cultural contexts, analyzing their relation, similarities and differences. Based on deep elaboration of western theories and deep understanding of the modes and objects of Chinese academic thinking, this thesis tries to probe into the meaning and purpose of the social gender theory for the research of Chinese musical culture.

Key words: font-size: 12pt, mso-fareast-font-family: 宋体, mso-fareast-theme-font: minor-fareast, mso-ansi-language: EN-US, mso-fareast-language: ZH-CN, mso-bidi-language: AR-SA, mso-font-kerning: 0pt" lang="EN-US">social gender, difference, western construction, Chinese context, musicological expression