Journal of East China Normal University (Philosoph ›› 2012, Vol. 44 ›› Issue (1): 135-143.

• 佛教研究 • Previous Articles     Next Articles

A Study on the Origin of the Lotus Throne of Buddhist Sculptures in Wuchang Lianxi Temple in the Fifth Year of the Eastern Wu Yong’an Period

ZHANG Tong-Biao   

  • Online:2012-01-15 Published:2012-03-27
  • Contact: ZHANG Tong-Biao
  • About author: ZHANG Tong-Biao

Abstract: In Buddhist sculptures produced in the Han Dynasty and Western Jin Dynasty at the middle and lower reaches of the Yangtze River, the Buddhist lotusthrone was one of the most obvious characters. It was absolutely different from those Buddhist sculptures’ in the area of Sichuan area, upper reaches of the Yangtze River during the same period. The Buddha sculpture made at Wuchang Lianxi Temple in A.D.262 (the fifth year of the Eastern Wu Yong’an period), was standing on a lotusthrone. It was most likely to be the first lotusthrone found in Chinese Buddhist sculptures, and also an embryonic form of the image of the Great Miracle at Shravasti in ancient India. The lotusthrone was firstly shown in some images of GajaLakshmi and Brahma in India, and nothing to do with Buddhism. Therefore, the isolated lotus image found in the Han and Jin dynasties was nothing to do with Buddhism, and it could not be taken as evidence for the spread of early Buddhism in China.