Journal of East China Normal University (Philosoph ›› 2012, Vol. 44 ›› Issue (1): 135-143.
• 佛教研究 • Previous Articles Next Articles
ZHANG Tong-Biao
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Abstract: In Buddhist sculptures produced in the Han Dynasty and Western Jin Dynasty at the middle and lower reaches of the Yangtze River, the Buddhist lotusthrone was one of the most obvious characters. It was absolutely different from those Buddhist sculptures’ in the area of Sichuan area, upper reaches of the Yangtze River during the same period. The Buddha sculpture made at Wuchang Lianxi Temple in A.D.262 (the fifth year of the Eastern Wu Yong’an period), was standing on a lotusthrone. It was most likely to be the first lotusthrone found in Chinese Buddhist sculptures, and also an embryonic form of the image of the Great Miracle at Shravasti in ancient India. The lotusthrone was firstly shown in some images of GajaLakshmi and Brahma in India, and nothing to do with Buddhism. Therefore, the isolated lotus image found in the Han and Jin dynasties was nothing to do with Buddhism, and it could not be taken as evidence for the spread of early Buddhism in China.
ZHANG Tong-Biao. A Study on the Origin of the Lotus Throne of Buddhist Sculptures in Wuchang Lianxi Temple in the Fifth Year of the Eastern Wu Yong’an Period[J]. Journal of East China Normal University (Philosoph, 2012, 44(1): 135-143.
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