华东师范大学学报(哲学社会科学版) ›› 2006, Vol. 38 ›› Issue (3): 20-27.

• 重建文学史的基础 • 上一篇    下一篇

组稿: 文学书写的无形之手——以《人民文学》(1949—1966)为中心的考察

吴俊   

  1. 华东师范大学 中文系,上海 200062
  • 收稿日期:2006-03-30 出版日期:2006-05-15 发布日期:2006-05-30
  • 作者简介:吴俊(1962-),男,江苏无锡人,华东师范大学中文系教授、博士生导师

Organizing Manuscripts: the Invisible Hand of Literary Writing——An Investigation with a Focus on People's Literature(1949-1966)

Jun WU   

  1. Department of Chinese Literature, East China Normal University, Shanghai 200062, China
  • Received:2006-03-30 Online:2006-05-15 Published:2006-05-30

摘要:

本文主要从《人民文学》 (1949—1966) 提取案例, 探讨在中国当代文学制度中, 一般意义上的“组稿”如何获得了特殊的政治—文化地位, 因而具备了特定的意义、功能和价值。组稿不仅直接参与了文学(史) 的书写, 而且, 一部组稿史, 也可成为一部别样的文学史。

关键词: 组稿, 《人民文学》, 国家文学, “成本”

Abstract:

This is a case study of People's Literature (1949-1966), a well-known literary journal in China.The author attempts to display how the practice of "organizing manuscripts" acquired a unique political-cultural status and obtained thereafter special significance, function and value.On the one hand, the practice of organizing manuscripts contributed directly to the writing of (the history of) literature; On the other hand, the history of organizing manuscripts itself is a unique history of literature.

Key words: organizing manuscripts, People's Literature, national literature, cost

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