华东师范大学学报(哲学社会科学版) ›› 2007, Vol. 39 ›› Issue (3): 58-63.doi: 10.16382/j.cnki.1000-5579.2007.03.010

• 文艺学研究 • 上一篇    下一篇

生态美学研究的困境与边界

王茜   

  1. 华东师范大学 对外汉语学院, 上海 200062
  • 收稿日期:2006-12-01 出版日期:2007-05-25 发布日期:2007-05-25
  • 作者简介:王茜(1977—), 女, 山东济南人, 华东师范大学对外汉语学院讲师, 文学博士

The Predicament and Boundary of the Study on Ecological Aesthetics

Qian WANG   

  1. School of Teaching Chinese as a Foreign Language, East China Normal University, Shanghai 200062, China
  • Received:2006-12-01 Online:2007-05-25 Published:2007-05-25

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被引次数

46

摘要：

“生态存在论美学”作为国内生态美学研究的前沿, 在研究对象、研究方法、研究内容等方面都有待进一步明确和深化: 生态美学以现代人的存在状态与审美活动作为主要研究对象的同时, 又要把“自然”作为一个重要思考维度纳入存在本体与艺术本体论的研究中; 生态美学以现象学哲学作为主要方法论来源, 在吸收借鉴多种理论资源时必须经过谨慎地辨析和转化; 生态美学的研究内容主要包括对国外生态文化理论的系统译介、存在本体论与艺术本体论研究、关于自然信仰理论的研究, 以及对生态批评理论的探讨和具体实践。

关键词: 生态美学, 自然, 存在本体论, 艺术本体论

Abstract:

As a research front of ecological aesthetics at home, "ecological ontological aesthetics" needs deepening in its research object, method and content.Ecological aesthetics regards the modern's existences and aesthetical activities as its major study object, and meanwhile should embrace "nature" as an important thinking dimension into studies on existential noumena art ontology.Ecological aesthetics takes phenomenological philosophy as its major methodological source, carefully analyzing and transforming various theoretical resources.The main content of ecological aesthetics includes systematic translations and interpretations of foreign ecological cultural theories, studies on existential noumena and art ontology, studies on the theory of nature faith, and explorations of ecological critical theories.

Key words: ecological aesthetics, nature, existential ontology, art ontology

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