华东师范大学学报(哲学社会科学版) ›› 2004, Vol. 36 ›› Issue (3): 103-108.

• 20世纪中国文学研究 • 上一篇    下一篇

秧歌剧: 被政治所改造的民间

文贵良   

  • 收稿日期:2004-03-01 出版日期:2004-03-25 发布日期:2004-03-25
  • 作者简介:文贵良(1968—),湖南桃江人,华东师范大学中文系讲师,文学博士

The Yangge Opera: Folksiness Reformed through Politics

Gui-liang WEN   

  • Received:2004-03-01 Online:2004-03-25 Published:2004-03-25

摘要:

20世纪4 0年代延安根据地秧歌剧的改造, 是民间被政治的改造, 这种改造成为当时话语建构的一种具体形式。秧歌剧的改造有四个特色: 当下日常化、文化符号的意识形态化、集体化运作、民间方言和意识形态语词的相互渗透。

关键词: 民间, 政治, 秧歌剧, 话语

Abstract:

The yangge opera in the Yan'an base area in 1940s was reformed through politics. This was a case in which a folk art was remolded through politics. Such a reformation became a concrete form of the current discourse reconstruction. It has four characteristics: mundanity, ideologization of cultural signs, collectivizational operation, and mutual penetration of folk dialects and ideological terms.

Key words: folk, politics, yangge opera, discourse

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