华东师范大学学报(哲学社会科学版) ›› 2003, Vol. 35 ›› Issue (2): 59-66.doi: 10.16382/j.cnki.1000-5579.2003.02.009

• 文学 语言 • 上一篇    下一篇

试论旧体词曲与新文学诗歌创作的关系

赵山林   

  • 收稿日期:2002-10-30 出版日期:2003-03-01 发布日期:2003-02-25
  • 作者简介:赵山林(1947-), 男, 江苏邗江人, 华东师范大学教授

A Tentative Study of the Relationship between Ci - Qu and Creation of New Poetry

Shan-lin ZHAO   

  • Received:2002-10-30 Online:2003-03-01 Published:2003-02-25

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摘要：

词曲与新诗创作有着密切的关系。一是胡适、陈独秀等人通过词曲价值的重新评估, 为文学革命树立了样本; 二是胡适、沈尹默、刘大白、刘半农等人的新诗创作, 在体裁、语言乃至题材、意境等方面不同程度地借鉴了词曲, 推动了自己的艺术创造。从新诗发展的历程来看, 词曲的影响因时因人而异, 而且与民歌、外国诗歌的影响交替或共同发挥作用。

关键词: 词曲, 新诗, 体裁, 语言, 题材, 意境

Abstract:

The ci and qu writing (two genres of Chinese poetry) has a close relation with the creation of New Poetry. First, Hu Shi, Chen Duxiu and others set good examples for the literary revolution through their reevaluation of the ci and qu poetry. Second, the New Poetry created by Hu Shi, Shen Yin-mo, Liu Dabai and Liu Bannong, borrowed in different degrees from ci and qu in their genres, words, themes and conceptions. The influence of ci and qu on the development of the New Poetry varied for different poets. Moreover, folk songs and foreign poems also had their influence at the same time.

Key words: ci and qu poetry, New Poetry, genre, language, theme, conception

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